Books
Karen Tam, Joni Low, Lisa Baldissera. Whose Chinatown? Examining Chinatown Gazes in Art, Archives and Collections, Griffin Art Projects, Mitchell Press, 2023
Alice Ming Wai Jim. “Fashioning Race, Gender and Desire: Cheryl Sims’ Fitting Room and Mary Sui Yee Wong’s Yellow Apparel” in Desire Change: Contemporary Feminist Art in Canada, MAWA Press. 2017
Alice Ming Wai Jim. “Redress Express: Chinese Restaurants and the Head Tax Issue in Canadian Art” in Encountering Strangers Within: Race, Diaspora and Nation in Asian Canada, University of Toronto Press, 2011
Alice Ming Wai Jim. “Redress Express: Chinese Restaurants and the Head Tax Issue in Canadian Art” in Pacific Canada: Beyond the 49th Parallel, Amerasia Journal I, UCLA, American Studies Center Press, Vol. 33.2, 2007
Eloisa Aquino. Foodflux, A Metaguide to the Diverse Foods of Montreal, lulu.com, 2006
Paul R. Magocsi. Encyclopedia of Canada's Peoples, Multicultural History Society of Ontario, U of T Press, 1999
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Catalogues
Karen Tam. Whose Chinatown? Examining Chinatown Gazes in Art, Archives and Collections, Griffin Art Projects, 2021
Marie Fraser. La Demeure, Optica Gallerie, Optica Gallery, 2016
Rebecca Duclos. “Mary Wong and the Burden of Semiotics,” Rearranging Desires: Curating the ‘Other’ Within, FOFA Gallery publication, 2008
Marie Fraser. La Demeure, Optica Gallerie, Optica Gallery, 2008
Shawna Beharry. “Sense, Knowledge and Conflict of Interpretation,” Subject to Representation: Essays on the Politics of Representation, Gallery 101, 2000
Duan Lian. Montréal: A Conceptual Irony, Kunmin, New York, Montréal, 1998
Scott Toguri McFarlan. “The Wait of ’97” in City at the End of Time (Hong Kong), Helen Pitt Gallery, 1997
Mary Sui Yee Wong. (be)longing, Optica Gallery, 1997
Mary Sui Yee Wong. Immixtion-A Site of Engagement, artwork, Daredare Gallery, 1996
Mary Sui Yee Wong. Sound East, Strike West, Harbour Magazine, September 1996
Mary Sui Yee Wong. Other Real Stories, fotofeis, 1995
Mary Sui Yee Wong. Beyond 1992: Experiments in Cross-Cultural Collaboration, Chinese Cultural Center
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Online
Capture Festival, selected exhibition, Vancouver, 2025
Diamond Yao, “Chinese Visual and Performing Arts in Montréal,” May 26, 2021
Angel Xing, “Mary Sui Yee Wong Talks Anti-Asian Hate and Art: Interview Part One,” July 15, 2021
Amelia Wong-Mersereau, “How to Not Disappear,” Canadian Art, March 4, 2021
“Wanshang,” Public Art in Montreal, 2011
“Recognizing Artists: Enfin Visible!,” Canadian Heritage & Elan, Montreal, 2010
“Asian Canadian Art Matters,” AsiaArts Archive
Diane Pellicone, “It’s a Man’s World- Laundramats and Gender Role-Reversal,” Thesis Jan. 2008
Women Artists in Canada, Mary Sui Yee Wong, 1995
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Print Media
Wendy Smith, “Rearranging Desires,” Concordia Journal, Oct. 23rd, 2008
Marie Madelaine Peron, “Interview with Mary Sui Yee Wong,” Concordia online Journal, Nov. 2008
Gina Badger, “Mary Wong’s Site Specific Art: Issues Facing Chinese Representation in Montreal,” Concordia University, Concordia Link, 2004
Isa Tousignant, “At Home with Art, Hour,” Oct. 7-13, 2004
Kathryn Greenaway, “Home is where the art is for these children,” The Gazette Montreal, Oct. 19, 2004
Paul Villeneuve, “Chez-soi/Home: Art et communauté,” Le Journal de Montréal, Oct. 2004
Lyne Crevier, “Crécher à Parc-Ex,” Ici, Oct. 12, 2004
Mary Sui Yee Wong, “Shuttle, Spindle, & Dyepot,” Fibres Quarterly, Vol 33. No. 4, 2002
Amélie Guguére, “La Demeure,” etc Montréal, no. 61, 2002
Veronique Rodriquez, “Dossier les ateliers d’artistes: Les contraintes de l’atelier,” Vie des arts, vol. 46, no. 186, Spring 2002
Jérôme Delgado, “L’atelier revisité,” La Presse, Oct. 12, 2001
Bernard Lemarche, “Exposer les ateliers,” Le Devoir, Oct. 21, 2001
Alain Perron, “Les ateliers s’exposent ce week-end,” Journal le Plateau, Oct. 28, 2001
Yellow Apparel, Metro Montreal, April 20-22, 2001
Phillipe-Antoine Saulner, “L’art de l’exil,” Montreal Campus, March 14, 2001
Ann Morasse, “Suzan Vachon et Mary Sui Yee Wong: Fenêtres sur jardin,” Espace, no. 49, Fall 1999
Christiane Dandenault, “Espace Dilaté et Lieux de Convergence,” etc Magazine, No. 45, 1999
Dianne Pearce, “Travel Diary,” Lola, No. 3, Winter 1998
Alice Jim, “Two Fictional Letters,” etc Magazine. 1997
Alice Jim, “(be)longing,” Fuse Magazine, Vol. 20. #4, 1997
Kuan Foo, “City on the Verge of Nervous Breakdown,” Fuse Magazine, 1997.
Mary Sui Yee Wong, “Ghosts,” Front Magazine, in asian, artwork, 1997
Andrea Smith, “Poetry on the walls,” The Ottawa Xpress, Apr. 24, 1997
Maggie Warner, “Artists create links,” The Voice, Feb. 13, 1997
Ian Hannington, “Postcolonial Culture,” The Georgia Straight, Feb. 1997
Bernard Lamarche, “Movements d’un printemps,” Le Devoir, May 25, 1997
Sylvie Fortin, “For The Best,” Parachute #80, 1995
Wallie Seto, “Conflicts of Two Cultures,” The Gazette Montreal, Jan. 2nd, 1995
Marie-Michèle Cron, Artistiquement Correct, La Presse, July, 1995
Jennifer Couelle, “Le temps qu’ils fait,” Le Devoir, July 20, 1995
Lucinda Catchlove, “Spacey: young curators’ choice of emerging Montreal artists,” The Gazette, Oct. 1995.
Jennifer Couelle, “Lorsque l’art deviant,” Le Devoir, Oct. 12, 1995
André Duchesne, “L’Opéra cantonais: une longue tradition se perpétue au McCord,” La Press, Dec. 10, 1995
“Cantonese Opera makeup: results are stunning,” The Gazette Montreal, Aug. 10, 1995
“Double Happiness,” Mix Magazine, 1994
“Art exhibit celebrates the sun in culture,” Toronto Star, July 6, 1993
Dierdre Hanna, “Cross-Cultural collaborations take Toronto Beyond 1992,” NOW, Oct., 1992
Margeret Peterson, “Head Tax inspires artistic statement,” The Vancouver Courier, Nov. 13, 1991
Ann Rosenberg, “Power and Pain of Cultural Identity,” The Vancouver Sun, Nov. 23, 1991